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Corinna's Going a-Maying
Robert Herrick (1591-1674)
Get up, get up for shame, the blooming morn
Upon her wings presents the god unshorn.
       See how Aurora throws her fair
       Fresh-quilted colours through the air:
       Get up, sweet slug-a-bed, and see
       The dew bespangling herb and tree.
Each flower has wept and bow'd toward the east
Above an hour since: yet you not dress'd;
       Nay! not so much as out of bed?
       When all the birds have matins said
       And sung their thankful hymns, 'tis sin,
       Nay, profanation to keep in,
Whereas a thousand virgins on this day
Spring, sooner than the lark, to fetch in May.

Rise and put on your foliage, and be seen
To come forth, like the spring-time, fresh and green,
       And sweet as Flora.  Take no care
       For jewels for your gown or hair:
       Fear not; the leaves will strew
       Gems in abundance upon you:
Besides, the childhood of the day has kept,
Against you come, some orient pearls unwept;
       Come and receive them while the light
       Hangs on the dew-locks of the night:
       And Titan on the eastern hill
       Retires himself, or else stands still
Till you come forth.   Wash, dress, be brief in praying:
Few beads are best when once we go a-Maying.

Come, my Corinna, come; and, coming, mark
How each field turns a street, each street a park
       Made green and trimm'd with trees: see how
       Devotion gives each house a bough
       Or branch: each porch, each door ere this
       An ark, a tabernacle is,
Made up of white-thorn neatly interwove;
As if here were those cooler shades of love.
       Can such delights be in the street
       And open fields and we not see't?
       Come, we'll abroad; and let's obey
       The proclamation made for May:
And sin no more, as we have done, by staying;
But, my Corinna, come, let's go a-Maying.

There's not a budding boy or girl this day
But is got up, and gone to bring in May.
       A deal of youth, ere this, is come
       Back, and with white-thorn laden home.
       Some have despatch'd their cakes and cream
       Before that we have left to dream:
And some have wept, and woo'd, and plighted troth,
And chose their priest, ere we can cast off sloth:
       Many a green-gown has been given;
       Many a kiss, both odd and even:
       Many a glance too has been sent
       From out the eye, love's firmament;
Many a jest told of the keys betraying
This night, and locks pick'd, yet we're not a-Maying.

Come, let us go while we are in our prime;
And take the harmless folly of the time.
       We shall grow old apace, and die
       Before we know our liberty.
       Our life is short, and our days run
       As fast away as does the sun;
And, as a vapour or a drop of rain
Once lost, can ne'er be found again,
       So when or you or I are made
       A fable, song, or fleeting shade,
       All love, all liking, all delight
       Lies drowned with us in endless night.
Then while time serves, and we are but decaying,
Come, my Corinna, come, let's go a-Maying.
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Part of the track listing from Pro Cantione Antiqua's Purcell In The Ale House:
Yonder comes

Since time so kind

I cannot come every day

Once, twice, thrice

Tomorrow the fox will come

Canst thou love?

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In which I undertake the Food Meme:
The Food Meme )
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I have been living in my new house for about a year now. The changes it has wrought in my life are fairly astonishing.

Having a living room which doubles as a rehearsal venue means that I'm meeting all sorts of artists. Not that I have to be super-close friends with everyone who uses the space, but it's always cool when that happens spontaneously.

My friend [info]mothninja's show The White House was a particular boon; the director and the AD have both since used my place to rehearse other shows, which has been good. Some of the alumni from those are coming over on Friday for a Shakespeare reading-and-working session. That play also introduced me to a circus artist whose aerial hoop class I joined, which has been an enormously fun skill to acquire. And then she moved to LA and left a bunch of her stuff with me, which means I now have an aerials rig in my living room. Hell yeah.

All sorts of people have been using the space, but there's a core of artists now who come by regularly enough that it feels a bit like having a family. To a long-term bachelor like me, that's a fairly mindblowing concept. Obviously these things work best when one doesn't get emotionally overinvested, but I am grateful for and happy with the friends I've made. To say nothing of the dividends of the free-rehearsal-space-for-free-catsitting exchange.
CAT UPDATE within )
So... a family. At least for now. The new house sort of attracted the life that goes with it, and that life turns out to be pretty damn awesome. Obviously I could still wish for more work, but at least the downtime's not being wasted.
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Every fool's an April fool
For foolery's in flower.
There's sugar in the salt shaker
And corn oil in the shower.

That heavy breathing call was me
Made to your office phone;
I cling-wrap-trapped the toilet bowl
For you and you alone.

The whoopee cushion sighs my love
Wherever you are seated;
And when you come to share my bed
You'll find yourself shortsheeted.

Oh every fool's an April fool
So take my hand and sing:
For you may hope to spring the trap,
But never trap the Spring.
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From Hilaire Belloc's Sonnets of the Month

The winter moon has such a quiet car
That all the winter nights are dumb with rest.
She drives the gradual dark with drooping crest,
And dreams go wandering from her drowsy star.
Because the nights are silent, do not wake:
But there shall tremble through the general earth,
And over you, a quickening and a birth.
The sun is near the hill-tops for your sake.

The latest born of all the days shall creep
To kiss the tender eyelids of the year;
And you shall wake, grown young with perfect sleep,
And smile at the new world, and make it dear
With living murmurs more than dreams are deep.
Silence is dead, my Dawn; the morning's here.
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A meteor was seen falling across the UK last night. It put me in mind of this sonnet by Hilaire Belloc. The religious utterances don't reflect my own views, but I think the last sestet is stunning.

What are the names for Beauty? Who shall praise
God's pledge he can fulfil His creatures' eyes?
Or what strong words of what creative phrase
Determine Beauty's title in the skies?
But I will call you Beauty Personate,
Ambassadorial Beauty, and again
Beauty triumphant, Beauty in the Gate,
Beauty salvation of the souls of men.

For Beauty was not Beauty till you came
And now shall Beauty mean the sign you are;
A Beacon burnt above the Dawn, a flame
Like holy Lucifer the Morning Star,
Who latest hangs in Heaven and is the gem
On all the widowed Night's expectant Diadem.
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This thought is particularly aimed at those coming to DragonCon. Yes, you, my dear geek tribe: you know who you are.

Behold, my friends, the Costuming Muse hath spoken unto me, and these were the words She whispered:

Are you ready for this?

ART NOUVEAU X-MEN

Anyone want to play?

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It's probably a good thing that I'm busy tomorrow night, because otherwise I'd need to be at the Wigmore Hall listening to John Mark Ainsley, and I think his Dichterliebe would leave me crying my eyes out. Or turned to stone inside. Or something.

Ainsley was the generation before mine at Oxford, so I know something of his backstory. The first I saw of him, though, was his Idamante for Welsh National Opera back in the day. Since then he's been quietly demonstrating to the English tenors of this world what it sounds like to have testicles. If Britain holds an heir to the mantle of Langridge, it's probably him.

Meanwhile: Is there such a thing as a song cycle that ends happily?

The closest I can think of is the first of them all, Beethoven's An die ferne Geliebte. Even there, the poet is not reunited with the distant beloved; he only derives some satisfaction from imagining her singing the songs he sends her.

The miller of Schubert's Schöne Mullerin drowns himself in the millstream; it's unclear what will happen to the singer of Winterreise, but I think we can all agree that it's nothing good.

To be fair, the singer of Schumann's Frauenliebe und Leben is very happy throughout most of the cycle, which spans at least a few years of her life. But at the end, the husband dies; and of course she can never love again because she's only a woman and he was her whole world. So much for her.

The poet of Dichterliebe faces a similar fate. His beloved is not dead, but has rejected him after a brief but (to him) meaningful relationship. In the final song, Die alten, bösen Lieder, he bitterly abjures both the love he once felt and all the artistic inspiration that sprang from it. The cycle ends there because he is no longer a lover; but is he still a poet? And if not, who is he?

At least he gets over it (which the singer of Winterreise never does) and lives on; but to do so, he has to cut himself off from the source of what made him a poet. That is the most severe interpretation; the least severe is that he's just being a drama queen, and the restatement of the opening theme at the end of the song means that he will soon fall in love again in exactly the same way. He has, of course, learnt nothing; and so the cycle repeats endlessly.

All of which is to say: don't be the protagonist of a German song cycle if you can possibly help it.
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So by this point, we've all read about the spread of invasive Burmese pythons in southern Florida leading to the decline of native mammals, particularly those of appropriate size for pythonic convenience food. Fans of Pogo will be particularly dismayed that the scaled invaders have all but wiped out the opossum from the swamps there. Thankfully, it looked as though the creatures were too cold-sensitive to spread as far north as the Okefenokee, but then this happened:

Burmese pythons: Could the snakes move north?

During two cold snaps that hit Florida in winters that started in 2009 and 2010, many pythons survived by burrowing into the earth and by finding deeper, warmer water to ride out the low temperatures. Dozens of snakes perished and were disposed of by the U.S. Fish and Wildlife Service, but what didn’t kill those that survived might have made them stronger, Dorcas said.

“We just had a major selection event for cold-tolerant pythons,” Dorcas said. Fish and Wildlife predicted that a new generation of Burmese pythons on the edge of their non-native range can adapt and “expand to colder climates.”


Two excellent things about this story:

1. The reporter's surname is "Fears."

2. It talks about natural selection. And evolution. In Florida. Silly, everyone knows they don't have evolution there. (They don't have climate change either, which is a relief, given the potential consequences in a state whose highest point is 345 feet above sea level.)

So if natural selection isn't affecting the snakes, what is? The obvious answer lies with God, Whose intention moves all things. Having created the Burmese python milennia ago, He has recently provided them with an exodus from the land of Burma. It is written that this involved one of the pythons throwing down its staff which immediately turned into a bearded Jewish guy. The Lord then brought about its importation to the US as a pet, dividing the Atlantic ocean en route. When the pythons had completed their time in servitude, God divinely inspired the owners to abandon them in the wilderness. After some years of wandering and subsisting on manna in various furry forms, their Creator has hearkened unto their prayers and armoured them in righteous resistance to the elements.

The theological implications of this development are, frankly, staggering. Apart from anything else, it is now evident just who God's chosen species are. If this seems far-fetched, ask yourself this: who was the only person in Eden who didn't eat the forbidden fruit? Sure, the Serpent invited the gullible humans to chow down, but in no source does it say that the reptile itself ingested any. A fruit-eating snake would be kind of weird in any case, right? God's subsequent curse upon the Serpent is strangely harmless [King James version, here we go]:

--Upon thy belly shalt thou go: Snakes do this anyway

--and dust shalt thou eat all the days of thy life: This happens when you're crawling around on your belly. Note that God does not prohibit the Serpent from eating any others of His creations it happens to find tasty in addition to dust.

--and I will put enmity between thee and the woman, and between thy seed and her seed; it shall bruise thy head, and thou shalt bruise his heel. Well, given what just happened they were hardly going to be future BFF, were they?

Less of a curse, more of a pat on the scaly back for a job well done. In any case, it would seem that the Creator Of The Universe has now amended this last clause to "He shall bruise thy head, and thou shalt crush him into an easily-ingestible lump within thy coils thus to swallow him, and then thou shalt have a bit of a nap the while his brethren do make an B-movie about thee."

And who does that B-movie feature? That's right. Ice Cube. Ice Cube... cold-resistant serpents... At least now we know what God was smiting us for.

So what can we, the faithful, learn from this dire peril into which our Maker has cast us? The lesson is clear, for it is written:

Upon that day when a film crew be gathered together in My name, and J.Lo be among them, yea and Jon Voight also, and he that was in The Royal Tenenbaums, you know, the blond guy, and the script doth verily suck worse than the special effects, such that the result be a two-hour abomination unto My sight: and I do send unto thee My warning, saying,
O Man, release not this piece of shit where it may afflict the eyes of filmgoers, for even My prophet Liam Neeson could not save this trainwreck, seriously, thou shalt DAMN WELL LISTEN. Else shall that state which most resembleth an detumescent wang be smitten with fearful plagues of superevolved cold-resistant Burmese pythons, yea, and also tempests, Jeb Bush and mosquitoes the size of chickens. Thus saith the LORD.


Well, I've done my part in spreading the word... HAVE YOU???
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